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Theatre Review: ‘Mamma Mia’ at The Fox
Friday, 4 Nov, 2011 – 11:18 | 2 Comments
Theatre Review: ‘Mamma Mia’ at The Fox

By Manning Harris
fmanningh@gmail.com
“Mamma Mia!” at the Fox through November 6, is cotton candy, dance-in-the-aisles, and the infectious songs of ABBA.  When it opened on Broadway in 2001, one month after 9/11, what a welcome …

The Bard on the Boards: Shakespeare Tavern
Tuesday, 1 Nov, 2011 – 5:00 | No Comment
The Bard on the Boards: Shakespeare Tavern

By Julia Turner
Time travel may not be possible still, but a visit to The New American Shakespeare Tavern at 499 Peachtree St. is a close runner-up. In the Globe-replicated façade and theater, it’s possible to …

Theatre Review: ‘Wicked’ at The Fox Theatre
Tuesday, 20 Sep, 2011 – 11:14 | No Comment
Theatre Review: ‘Wicked’ at The Fox Theatre

By Manning Harris
fmanningh@gmail.com
It’s back and better than ever and will probably break the house record at the Fox for the third time (it visited in 2006 and 2008).  “Wicked” is playing through Oct. 9, …

Theatre Review: ‘Noises Off’ at Georgia Shakespeare
Wednesday, 10 Aug, 2011 – 20:33 | No Comment
Theatre Review: ‘Noises Off’ at Georgia Shakespeare

By Manning Harris
fmanningh@gmail.com
A “door-slamming farce” is how Director Richard Garner describes the British comedy “Noises Off,” by Michael Frayne, running through Sunday, August 14 at Georgia Shakespeare on the campus of Oglethorpe University.
It is …

Theatre Review: ‘Come Fly Away’ at The Fox
Wednesday, 3 Aug, 2011 – 18:00 | One Comment
Theatre Review: ‘Come Fly Away’ at The Fox

By Manning Harris
fmanningh@gmail.com
In September 2009, the  Alliance Theatre premiered the stunning Twyla Tharp-Frank Sinatra dance musical “Come Fly Away” (then called “Come Fly With Me”); the show had a critically acclaimed Broadway run and is …

Theatre Review: ‘Antony & Cleopatra’ at GA Shakespeare
Wednesday, 29 Jun, 2011 – 14:38 | No Comment
Theatre Review: ‘Antony & Cleopatra’ at GA Shakespeare

By Manning Harris
fmanningh@gmail.com
Georgia Shakespeare is pulling out all the stops in a huge production of a hugely excessive play (this is a compliment) with two characters of true legendary status:  “Antony and Cleopatra,” playing in …